“Joker: Folie à Deux” Viewing Review
2024.10.29, 20:53
I watched Joker: Folie à Deux, starring Joaquin Phoenix and Lady Gaga, at the theater. The 2019 Joker stirred intense, controversial reactions in society; now, I wondered how this sequel would play out. Or even, was it right to create a sequel in the first place? The fact it existed at all was a surprise.
Without any background knowledge, I went in to watch. While the story seemed straightforward at first, after watching nearly three hours of in-depth analysis videos, I found myself exclaiming, “Oh, so that’s what it meant!” To the extent that it almost felt like a completely different movie from what I’d just seen, in the best way (laughs). There were quite a few violent scenes, but the musical elements softened it somewhat, which I appreciated. And to think that Joker himself might actually fall in love—now that was the biggest surprise!
Note: Spoiler Alert
The story begins where the last film left off. Arthur is now confined in solitary, leading an orderly life. One day, he’s given the opportunity to undergo music therapy, where he meets a woman named Lee (played by Lady Gaga), an ardent fan who deeply empathizes with him. Having found someone who understands and loves him, Arthur’s heart gradually feels more fulfilled.
However, as Arthur’s trial proceeds, his defense team argues that he developed dissociative identity disorder due to childhood abuse, seeking to claim innocence on these grounds. A witness states, “Arthur was always kind to me. I wish he could go back to being himself.” At that moment, Arthur realizes he’s been “playing” the character of Joker and embraces his identity as Arthur. As a result, he’s convicted. Right then, Lee leaves him, revealing that her love was for the persona of Joker, not the real Arthur.
With the verdict finalized and in a hopeless state, the courthouse is suddenly bombed by an unknown party, allowing Arthur to escape unscathed and regain his freedom. He heads to the iconic staircase where he once made his name as “Joker,” only to find Lee there. But now that he’s no longer the Joker, Lee no longer holds the same affection for him. A police car arrives, and Arthur is once again taken into custody. Back in his cell, he returns to isolation, bearing feelings for Lee but no longer as Joker, rendering him invisible to the world.
The film progresses with a musical rhythm, and while there aren’t many scene changes, there are moments where the music felt like a form of salvation. Some scenes left me with a “?” feeling, but after watching the explanation videos, I was convinced by the theory that “everything might have been Arthur’s delusion.” This film is essentially a journey through Arthur’s fantasy, with the director seemingly conveying that “Joker as a persona doesn’t actually exist; this is Arthur’s story.”
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